A project of the Humanities Action Lab, States of Incarceration fosters community dialogues on the topic of crime, punishment, and mass incarceration in the United States from a broad range of perspectives. The NEH-funded program is the result of collaboration between more than 500 people associated with 20 universities and colleges from across the nation. At each higher education institution, faculty offer a course that, in partnership with a local organization, tasks students with investigating the history and present of criminal justice in their communities. The students then used what they learned to design and curate a section of a traveling exhibition, as well as to contribute to an online platform that hosts essays, works of art, and oral histories. Cumulatively, these local stories offer a new way of looking at a national issue.
“When you pose a really good humanities question and allow people to answer it from the vantage point of their own community, you get an incredible opportunity for collective learning about a shared national concern.”
Read More
The students’ work varies, moving from archival research to site visits and dialogues with people who are currently imprisoned. At DePaul University, students and incarcerated men discussed the future, asking “what do you want your legacy to be?” At Skidmore College, students learned about the support that those who are incarcerated lose when a local prison closes. And at the University of New Orleans, students considered the legacy of slavery and Jim Crow at Angola Prison. States of Incarceration has recently established several new partnerships with colleges that are located in communities where prisons are the major employer. The students, many of whom are being trained as corrections officers, will contribute stories to the exhibition.
States of Incarceration is currently traveling and will appear in more than 25 locations, urban and rural alike, before ending its tour. Showings are accompanied by public programs, including seminars, book discussions, poetry readings, and storytelling workshops. The project is still growing, meeting its goal of inspiring a national dialogue on the future of incarceration in our communities. Its work demonstrates that, as program director Liz Ševčenko states, “When you pose a really good humanities question and allow people to answer it from the vantage point of their own community, you get an incredible opportunity for collective learning about a shared national concern.”